Director - Terry Winsor
Plot
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony Tucker, three drug dealers well known to the police, were lured to Workhouse Lane, Rettendon. There they were blasted to death with a shot gun while sitting in their Range Rover. They had been lured to their deaths on the pretext of a lucrative drugs deal. The three bodies were found the following morning, 7 December 1995. (IMDB)
Characters
Criminals, Prison inmates, Characters with a dark past
Locations
Claustrophobic Garage
This is the opening of the film, it is a perfect way to start a thriller, because the lighting is dark and mystical, and you cannot see everything inside the garage, only the outline of a car and the person about to enter the garage. Also the fact that it is in a claustraphobic space, suggests that for the man who has just entered, there is no escape, once he has entered he cannot turn back.
Fish Market
Essex Marshes
The Essex Marshes are another good place, because although they are in a massive space, it is also quite claustraphobic purely because once Jason leaves the man, he will have no where to go, he will be stuck at the marshes. Also the marshes represent Jason himself ; he is a man that has no moral boundaries, just like the sea, his life is bleak, isolated and dreary.
Props
"The White van"
- What/ who is in the white van?
Gun
Costumes
Jason likes to strand out, you can tell my his outfit that he is a loud, confident man and likes to draw attention to himself.
Lighting
Noir lighting, it is set in a classic 1960's thriller
Opening
The opening credits set the scene as a thriller, firstly because they are in black and white (noir), the black shows the darkness that is about to come. Also the white scratches on the screen, could represent the cutting of a knife, which again gives the impression that this movie is a thriller. It also makes the white stand out to the audience; if there was more color there would be less focus on the title, the title and the scratches are piercing and drawing the audience in.
Also the fact that Billy does the voice over, connects him with the audience and builds a relationship, before the film has started its first scene, it has already created a relationship with the audience, this is very effective, because they will want to see what happens to Billy. His voice over is not a proper introduction to the film, but more of his own thoughts, this is again much more effective, because the audience will sense that they will see a lot to Billy in this film, and none of his emotions can hide.
Camera Shots
This vanishing shot is very effective, because it represents him driving into a barrell of a gun; he is about to take a journey into darkness, once he has entered there is no way out. He is entering moral darkness.
This shot is very effective because, this is the first time you see Jason, through the dirt on the window screen, suggests that he is a shady bad guy. The glass is between Jason and the audience which suggests that he is secretive, closed off and detatched from other peoples emotions.
The bars of light on the window represent where Jason has been (prison), and where Billy could be heading if he sticks with Jason. This is shot very well because they must have tried lots of times to get the car in the right place for the lights to hit the window, representing prison bars.








Thanks for posting your case study on Essex Boys. I think the distance between taking your notes in class and doing the analysis two months later is evident in the lack of development of your analysis.
ReplyDeleteNevertheless your analysis reflects basic understanding of some elements of mise-en-scene. I like your point about the voice over.